Kamis, 25 Juli 2019

Free Ebook Vascular Neurology Board Review: Questions and Answers

Free Ebook Vascular Neurology Board Review: Questions and Answers

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Vascular Neurology Board Review: Questions and Answers

Vascular Neurology Board Review: Questions and Answers


Vascular Neurology Board Review: Questions and Answers


Free Ebook Vascular Neurology Board Review: Questions and Answers

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Vascular Neurology Board Review: Questions and Answers

Product details

Paperback: 328 pages

Publisher: Demos Medical; 2 edition (January 5, 2018)

Language: English

ISBN-10: 0826168523

ISBN-13: 978-0826168528

Product Dimensions:

7 x 0.8 x 10 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

3.1 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#599,826 in Books (See Top 100 in Books)

The content was great and similar to what the MOC exam tested. However, there were a LOT of errors in the book, which made it very frustrating to use. I wish they made the effort to have a few people proof-read it and check the answers before printing. The online questions were a big plus, but could have been in a more user-friendly format.

Question are good but the web version is ancient. I would rather have pdf then the outdated ebook interface.

I used it for my MOC. Some questions were identical to the one on exam.

Multiple questions/explanations were inaccurate. Came across multiple errors throughout the book, questions were not written properly and some answers to different questions had contradictions to one another which made it very confusing

Remains a good review, but factual and typographical errors are not at all uncommon. I still recommend the book. However, the C Miller critique posted for the 2008 edition is still true of this edition.

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Rabu, 17 Juli 2019

Download Ebook , by Morgan Daimler

Download Ebook , by Morgan Daimler

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Download Ebook , by Morgan Daimler

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, by Morgan Daimler

Product details

File Size: 3053 KB

Print Length: 99 pages

Publisher: Moon Books; Reprint edition (April 25, 2014)

Publication Date: April 25, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00IXUX47A

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Much has been said and written about the Morrigan, and I’m going to go out on a limb and say much more will be written about Her, much of it will be fantasy, and some will be academically dense. This book is a very short survey of what we know about the Morrigan in an easy, presentable way. It is aimed at the person who is not ready yet to read the more dense books or needs a compas to navigate the confusing material in books and websites.The book is made up of an Introduction and seven chapters. The Introduction starts by laying out the aim of the book and then goes into the different Morrigans, and their functions that the author will be talking about. It also discusses the different meanings that we have for the word Morrigan.Chapters 1-4 give you everything you need to know if someone asks you who are the Morrigans. Each of the first three chapters discuss Morrigu, Badb, and Macha and then the fourth chapter discusses the other Goddesses who MIGHT be conflated with them or are considered one of them. The authors in most cases gives you the historical material associated with each of the Goddesses, their relationships (mothers, fathers, husbands), the forms they take, their associations and realms of influence and then the author gives us a poem, or an invocation or an offering prayer at the end of each chapter.Chapter 5 gives us a glimpse of The Morrigan in mythology. In chapter 6 the author talks about The Morrigan and animals, and in chapter 7 the author talks about The Morrigan in the modern world and how to find Her.As an introductory text this book is an awesome start. There is no way you can fit all the contradictions that are The Morrigans in one text, but this book does a good job of it. I especially loved the poems, invocations, offerings and prayers and of course the bits of the author’s life that she chose to share with us.I think that if you are interested in The Morrigan, then this book is a must on your shelf. It is well researched, well written and engaging to the last word.

Before beginning, I'd like to note that I am an English professor and am therefore writing from the perspective of a scholar and fellow author.I ordered this book because the Pagan Portals series works as an introduction to topics one knows nothing about. Before the book, I knew nothing about The Morrigan except that she [they] is the Celtic goddess of death. I'd read two paragraphs about her [them] on Thought.co. I also knew nothing about the Celtic deities except a few names like The Dagda and Brigid, the latter of which I knew the basic facts about.With this mind, I will now first discuss the problems I found. Because of my utter lack of knowledge, I had a small bit of difficulty with PP: The Morrigan. Diamler assumes that one can recognize the names of basic Irish epics and that one already knows who the Tuatha de Danann are. I knew neither and had to google the latter so I could keep up. (To be fair, Daimler finally explains the Tuatha de Danann later in the book--roughly page 75 or so--so the issue is placement rather than a lack of explanation.)I would urge Ms. Daimler to confront Moon Books about the quality of their editors. A good editor would have caught that problem and had Daimler move the information. A good editor would have also caught the few typos and grammar mistakes in the book and fixed them. Since then, I've read 2 more Pagan Portal books by Daimler and noticed these same issues. Editors are paid to help catch these things. Moon Books needs to upgrade theirs, it would seem.Now on to the good parts. PP: The Morrigan succeeded in giving me an introduction to The Morrigan. I learned about the 3-6 goddesses who are included or excluded by various people as carrying the collective title The Morrigan. Daimler defines names, provides folktales, and explains the cultural context of ancient Ireland. The Morrigan/Anand, Macha, and Badb each get full chapters. Sample prayers are provided, offerings are discussed, and Daimler also discusses what The Morrigan is associated with (e.g., crows, horses, and wolves). One learns what holidays are associated with The Morrigan.Most of all, I respect Daimler for being upfront about when the source material contradicts itself. The Morrigan's origins are obscured by the fact the Celts didn't write down their history or myths. Also, some of the folklore tells different or even opposing stories. Daimler is clear about when the sources disagree or are confusing, and she encourages the reader to make up his/her own mind about what it means. This level of transparency and encouragement of self-agency is excellent in any such book. I wish more authors would be this upfront.As other reviewers have noted, Daimler tells short personal stories. Some readers don't like them; some do. I enjoyed them just because it gave me insight into how one worshiper experiences these goddesses.The book includes a bibliography for further reading, which is another good touch.Overall, I enjoyed reading this book--the level and type of prose made it an easy read--and felt that I received my promised introduction to The Morrigan. I know enough to know I'll read more books on The Morrigan. For this reason, I do recommend this book to beginners.Please note, however, that I truly knew nothing about The Morrigan prior to reading and therefore cannot tell if there any errors of fact in the book. Daimler clearly loves The Morrigan, though, and especially Macha. I would be surprised if I learned later that there were major, glaring errors of fact. Daimler seems too dedicated to her research to generate something terribly wrong.

After finishing Fairy Witchcraft by Morgan Daimler the thing that impressed me the most is here is a person who actually believes in the fairy race, and has a working relationship with them. The personal experiences she describes ring true, and her advice and practical suggestions for starting your own practice will be helpful for those sincerely trying to develop their own relationship with the Sidhe. There is also advice for contacting and developing an ally with your local fairy beings along with the more famous ones of myths and legends. I was especially pleased to see that she included the importance of working with your Ancestors and the Gods of your personal pantheon that are associated with the fairies. Sixteen key points listed in Chapter 1 as basics on how to interact with fairies will be especially helpful for those who are new to this subject. The book is well researched, and reading over the bibliography reminded me of all the books I have searched through over the years to find the information she has organized and presented to the reader. Don't let the short length of this book fool you, it is packed with information from many valuable sources.

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Senin, 03 Juni 2019

Ebook , by Lawrence Manjira

Ebook , by Lawrence Manjira

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, by Lawrence Manjira

, by Lawrence Manjira


, by Lawrence Manjira


Ebook , by Lawrence Manjira

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, by Lawrence Manjira

Product details

File Size: 38306 KB

Print Length: 253 pages

Publisher: Lawrence J. Manjira; 1 edition (August 11, 2018)

Publication Date: August 11, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07GD7LS3B

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Amazon Best Sellers Rank:

#1,019,687 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Selasa, 28 Mei 2019

Ebook Free Security in Computing (5th Edition)

Ebook Free Security in Computing (5th Edition)

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Security in Computing (5th Edition)

Security in Computing (5th Edition)


Security in Computing (5th Edition)


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Security in Computing (5th Edition)

About the Author

Charles Pfleeger is an internationally known expert on computer and communications security. He was originally a professor at the University of Tennessee, leaving there to join computer security research and consulting companies Trusted Information Systems and Arca Systems (later Exodus Communications and Cable and Wireless). With Trusted Information Systems he was Director of European Operations and Senior Consultant. With Cable and Wireless he was Director of Research and a member of the staff of the Chief Security Officer.  He was chair of the IEEE Computer Society Technical Committee on Security and Privacy. Shari Lawrence Pfleeger is widely known as a software engineering and computer security researcher, most recently as a Senior Computer Scientist with the Rand Corporation and as Research Director of the Institute for Information Infrastructure Protection. She is currently Editor in Chief of IEEE Security & Privacy magazine. Jonathan Margulies is the CTO of Qmulos, a cybersecurity consulting firm. After receiving his Masters Degree in Computer Science from Cornell University, Mr. Margulies spent nine years at Sandia National Labs, researching and developing solutions to protect national security and critical infrastructure systems from advanced persistent threats. He then went on to NIST's National Cybersecurity Center of Excellence, where he worked with a variety of critical infrastructure companies to create industry-standard security architectures. In his free time, Mr. Margulies edits the “Building Security In” section of  IEEE Security & Privacy magazine.  

Read more

Product details

Hardcover: 944 pages

Publisher: Prentice Hall; 5 edition (February 5, 2015)

Language: English

ISBN-10: 9780134085043

ISBN-13: 978-0134085043

ASIN: 0134085043

Product Dimensions:

7.3 x 1.6 x 9.4 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#98,466 in Books (See Top 100 in Books)

worked for my course, knowledge can be applied to comptia security

Chapters over 90 pages long make it quite difficult to stay engaged, especially when attempting to also take notes. A lot of the end chapter questions are annoying to answer and you must go on a hunt to find a very brief unclear answer, or better yet no answer at all and you must simply infer the knowledge and hope it's right. Do you like re-reading the same sections over and over trying to decipher the answer to a question? If so then this book is for you. Or maybe it's just required.

Required for course work. So far the text covers everything one needs to know

I liked everything i saw about the book. Keep it up.

The book is very helpful for my course.

Purchased for a college class. Does anyone ever really love their textbook?

Easy to read and follow. Nice real world examples. Lots of useful information.

so useful

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Senin, 20 Mei 2019

Ebook Free Sleep Like a Baby: Improve Your Nap Through Meditation: Experience Peace, Self-awareness, Detachment, Positive Thinking, and Confidence by Dreaming Earth to Stars Utilizing Deep Sleep Hypnosis

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Sleep Like a Baby: Improve Your Nap Through Meditation: Experience Peace, Self-awareness, Detachment, Positive Thinking, and Confidence by Dreaming Earth to Stars Utilizing Deep Sleep Hypnosis


Sleep Like a Baby: Improve Your Nap Through Meditation: Experience Peace, Self-awareness, Detachment, Positive Thinking, and Confidence by Dreaming Earth to Stars Utilizing Deep Sleep Hypnosis


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Publisher: Zen Mind Hypnotherapy

Audible.com Release Date: November 6, 2018

Language: English, English

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Sleep Like a Baby: Improve Your Nap Through Meditation: Experience Peace, Self-awareness, Detachment, Positive Thinking, and Confidence by Dreaming Earth to Stars Utilizing Deep Sleep Hypnosis PDF
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Kamis, 02 Mei 2019

Download PDF Baroque And Folk Tunes For Recorder: An Unusual Collection of Music Arranged for the Recorder, containing over Fifty Pieces from Over 300 Years of Music

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Baroque And Folk Tunes For Recorder: An Unusual Collection of Music Arranged for the Recorder, containing over Fifty Pieces from Over 300 Years of Music

Baroque And Folk Tunes For Recorder: An Unusual Collection of Music Arranged for the Recorder, containing over Fifty Pieces from Over 300 Years of Music


Baroque And Folk Tunes For Recorder: An Unusual Collection of Music Arranged for the Recorder, containing over Fifty Pieces from Over 300 Years of Music


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Baroque And Folk Tunes For Recorder: An Unusual Collection of Music Arranged for the Recorder, containing over Fifty Pieces from Over 300 Years of Music

Product details

Sheet music: 64 pages

Publisher: Wise Publications (January 1, 1992)

Language: English

ISBN-10: 0860012751

ISBN-13: 978-0860012757

Product Dimensions:

8.5 x 0.2 x 11 inches

Shipping Weight: 7 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#1,400,365 in Books (See Top 100 in Books)

Not for a beginner, but challenging nevertheless. Thank you!

Somewhat agree with the sole other reviewer who gave this a generous 1 star.I had naively missed the small print that said "music arranged for the recorder" (rather than written for), what caught my eye was the attractive yellow cover and "unusual collection from 300 years of music"!There is nothing worse than playing an over simplified tune, because every instrument has it's unique characteristics and is particularly suited to music "written fOR it" to draw them out. That is when an instrument well played can really sing. =( ... relegated to sight-reading. I suppose I can use it for that AND TRY to make it sing.

Its Great!

My son is a beginning alto recorder player Bach lover and folkie. He loves this book.

Years ago when I started playing the recorder, I found this book at a music store. It was what I needed. A book of music to play on the recorder. Some of the pieces were easy and some were darn hard with others in between. It is not music written for the recorder but music to play on it. No music can make the recorder sing. It does not matter if music was written for it or not. Only you can make it sing.I am a recorder player. I play sonatas and concertos for the recorder but I do not stop there. I also play music for other instruments or the voice. Recently I have played “ Ladies In Lavender “ which was for violin and “Gabriel's Oboe “ which was for oboe. At Church I play on all the hymns and most liturgical music as well as obligoti with the choir no matter what the score says it is for.I learned to play this way because of this book and others. Now I am buying this book for a promising student so that he can have good music to play and I can teach him how to make the recorder sing.Happy playing!

At first glance, some might find the intro to this recorder collection rather offputting, The author (of the introduction) describes most of the recorder players he knows as defeatist, lacking in motivation, and the real reason why the recorder is often seen as the "Rodney Dangerfield" of instruments. But read more closely it is clear he is trying to defend the recorder and encourage players to stick to their guns, or at least their fipples.This 64-page collection contains 57 solo pieces and an illustration of a bird. All seem arranged for the soprano (or tenor) and also include chords for guitar. Some could be played on the alto and one or two (such as the Corrente) might even sound better that way, given what it would take to hit its high notes on a soprano. Most of the pieces are classical. There is also some folk or traditional and even some ragtime.Most of the pieces are full-page songs, well within the range of a diligent, advanced beginner who's mastered most notes. The collection bills itself as "unusual", and that's fair insofar as most of its pieces do not seem to appear in other recorder collections, and because it is such an eclectic mix. There's lots of good stuff here. Several pieces bring out the recorder at its most soulful (or most melancholy). I have found the arrangements of Muffat's Siciliana, Pergolesi's Siciliana, and Mozart's Andante Graziosa particularly beautiful, and there are also enjoyable arrangements of Borodin's Polovtsian Dance, "Those were the Days" and Joplin's "The Entertainer", although my music teacher performed a fair amount of surgery on that last piece. Overall, the author seems to have broad musical tastes, a very good ear for music that sounds well on the recorder, and a knack for making it beginner-friendly.A couple of things could have been done better. The binding on my copy was poor and it fell apart almost immediately. The binding doesn't seem designed to accommodate what presumably will be this booklet's primary function - being laid flat on a music stand. There's no note chart either, which would have been handy (at least handier than that bird picture) for players suddenly stumped for a note on some far-off mountain top or desert without a method book at hand, especially when the book is otherwise so well suited to advanced beginners. There's almost nothing about the pieces in the booklet.These shortcomings do not outweigh this book's great value as a rich collection of very carefully chosen, beautiful recorder pieces. Strongly recommended.

This little book is more suited for advanced beginners. I am relearning recorder playing after a hiatus of several decades, and found it daunting.

I'm an accomplished percussionist and a high intermediate recorder player. I play for my church.My teacher and I both agree that about half the pieces in this book are good. Both of us regularly use several pieces from this book as preludes and postludes for church services. Some pieces are better on a tenor recorder. I'm not fond of the selection of folk tunes in this book, except for 'Amazing Grace' (a piece I get requests for). The guitar accompanist part is of marginal quality. This book certainly has its faults and are well documented in the lower rated reviews.I've been happy with this book, in spite of its problems.

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Baroque And Folk Tunes For Recorder: An Unusual Collection of Music Arranged for the Recorder, containing over Fifty Pieces from Over 300 Years of Music PDF
Baroque And Folk Tunes For Recorder: An Unusual Collection of Music Arranged for the Recorder, containing over Fifty Pieces from Over 300 Years of Music PDF

Selasa, 30 April 2019

PDF Download , by Marion Zimmer Bradley

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, by Marion Zimmer Bradley

Product details

File Size: 2285 KB

Print Length: 912 pages

Page Numbers Source ISBN: 0345350499

Publisher: Ballantine Books; 1st edition (July 15, 2001)

Publication Date: July 15, 2001

Language: English

ASIN: B000FC1JCQ

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Amazon Best Sellers Rank:

#23,790 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I am a voracious book reader. Almost to the point of obsession. I have thousands, in all different genres and formats. This book is in my top 5 all time favorite books ever, which says a lot!! Do yourself a favor though and get a hardcover copy, it add to the experience. :-DFor my review, I won't get into the actual story line or historic facts VS. mythology and fiction (many reviewers have already gone that route). I want to express my overall impressions of this book, because the feelings this book evoked caused 10+ rereads!The writing in this book is incredible. It sucks you right into the time period and character's minds. You really feel you're there with them experiencing everything. There is historical accuracy mixed in with fiction, little elements like clothing and food that are woven throughout the story in a way that's not tedious to read, but adds to the feel of the book. It's like stepping into a time machine. The interpersonal relationships are masterful and you really become part of the story. When you think of King Arthur myths, this is the type of story you envision. One that makes you question your beliefs about magic, mystery, and humanity -- that in my mind is perfect historical fiction. The author poured her heart and soul into this book, and it shows on every single page.Bottom line, it's not a book ... it's an experience.

I’ve always been a sucker for King Arthur. In between my Robin Hood phases as a kid, I went through reams of stories about Camelot. And in college, I happily hiked around the ruins of Tintagel in Cornwall (supposedly the place of Arthur’s birth). But Marion Zimmer Bradley’s The Mists of Avalon was something new for me: the King Arthur legend from the perspectives of important women in his life, namely Igraine, his mother; Viviane, his eldest aunt; Morgause, his youngest aunt; Gwenhwyfar (a.k.a. Guinevere), his wife; and Morgaine (a.k.a. Morgana), his half-sister.Morgaine is the main protagonist. And unlike in most retellings, she’s not an evil sorceress. Instead, she’s an initiate of Avalon, a mythical island that’s home to a sect of Goddess worshippers trying to stave off Christianity’s growing influence over Britain. Bradley includes the familiar love triangle between Arthur, Gwenhwyfar, and Lancelet (a.k.a. Lancelot), but the contest of religions is the core struggle in The Mists of Avalon. Viviane, Lady of Avalon when the story begins, places Arthur on the throne so that he may serve his Christian and non-Christian subjects alike. But Gwenhwyfar convinces him to become ever more Christian, and Viviane and Morgaine consider this conversion a betrayal of the oaths he swore to win the crown. In the years that follow, Avalon sets itself against Camelot and grows intolerant in kind.Not everyone is as narrow-minded about religion, however. Morgause has little use for gods or goddesses, while the druidic Merlins (plural, in this version) believe all deities are one. Such a diversity of viewpoints is also present in how Bradley portrays the different spheres of influence available to women in her historical fantasy of early Britain. In Avalon, Morgaine and Viviane lead a matriarchal society. In the North, Morgause defies convention and rules as a queen who takes lovers as she wills. But in the South, Igraine and Gwenhwyfar (mostly) accept their priests’ advisements that they should be content to stay in their castles and make children and clothing for their husbands.The overall story is more philosophical than I’m used to for a tale of King Arthur. It’s also slower; The Mists of Avalon spans generations and glosses over the usual knightly contests and heroic deeds. But if you want a Camelot that makes you think, Bradley’s seminal work is worth a read.

I have read this novel a couple of times now and each time it is more rich. It is very long, but there aren't any parts that ever feel like filler, to me. It is an interesting reexamination of a classic branch of mythology, and a from a different point of view. The novel is from the perspectives of the female cast members: Morgaine, Gwenhyfar, Igraine, and Viviane, called the lady of the lake as the leader of the priestesses of the Goddess on the island of Avalon. As such, there is a strong dialogue about the role of women in the time in which the drama unfolds, and an interesting comparison to some earlier civilizations whose primary deities were female. These elements: the role of women in society, particularly in relation to the position of prevailing religious beliefs, and gender roles loom larger than the development of the core story with which most people are familiar. For some, this may be a detriment but I find it is the true merit of the novel and makes the fundamental material on which it is based more interesting.

I continued to read much further than I would normally do with a book that didn't capture me. I won't say the entire book was bad, and there were parts that were actually interesting, I'm just very disappointed. I've wanted to read this for years.First off, the time line is rather difficult to follow. It jumps ahead so quickly and frequently that it becomes nearly impossible to keep track. The hatred and vitriol that rolls off of Gwenhwyfar (don't get me started on some of the name spellings). Judging Morgaine and finding ways in which to blame everyone but herself for the bad things she does. Really all the women are whiny little children that are stomping their feet because they don't get their way. Stabbing one another in the back almost ceaselessly.I made it about halfway through the fourth "book" before I just finally couldn't take it anymore. And that was with a break to read another book.

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